Catalog Search Results
Author
Series
How to Look at and Understand Great Art volume 31
Language
English
Description
In defining the bold sensibility of Expressionism, explore its use of violent colors, stylistic distortions, and sculptural application of paint. Also contemplate its influences (including contemporary philosophers as well as Freud) and its goal to provoke empathy and thus touch the viewer at the innermost level.
Author
Series
How to Look at and Understand Great Art volume 35
Language
English
Description
In the 1960s, Pop art, Op art, and minimalism brought yet another far-reaching redefinition of art. Learn to recognize these three distinct postmodern visions, and see how they shared a common rejection of the traditional focus on the artist, aiming instead to create works that exist only for the viewer's interpretation.
Author
Series
How to Look at and Understand Great Art volume 22
Language
English
Description
Contemplate the Renaissance phenomena of classicism and humanism in 15th-century Italian art, which focused - even in religious art - on the human body, nature, and depictions of earthly life and the individual. Learn how to recognize Early Renaissance art in characteristic subject matter and stylistic technique.
Author
Series
Language
English
Description
Here, consider texture in sculpture as an aid to meaning in sculptures by Rodin, Donatello, and Bernini, and the painter's use of paint as a way to capture texture and light on canvas. Then observe the virtuoso representation of texture by master painters Ingres and Titian, and the handling of light and shadow in works by Renoir and Georges de la Tour.
Author
Series
How to Look at and Understand Great Art volume 23
Language
English
Description
Flanders and Germany also witnessed an explosion of art in the 15th and early 16th centuries. Define the stylistics of great Northern Renaissance oil painting, such as the use of cool light, richness of detail, and the depiction of fabric. Conclude by charting the development of the historical "canon" of universally recognized artworks.
Author
Series
How to Look at and Understand Great Art volume 15
Language
English
Description
The lecture opens with a historical panorama of painting techniques, highlighting the diverse treatment of human faces. Then, it tracks 20th-century developments in nontraditional materials and methods of application, including the techniques of Frank Stella, Helen Frankenthaler, and Jackson Pollock, as well as the contrasting strengths and mixed use of oil and acrylics.
Author
Series
Language
English
Description
Tracking the history of illusionism in Western art, grasp the principles of linear perspective, foreshortening, and atmospheric perspective as they replicate how the human eye perceives. See how artists, including Cézanne and Van Gogh, manipulated perspective for their own creative ends, and observe the extreme illusionism of trompe l'oeil and anamorphosis.
Author
Series
How to Look at and Understand Great Art volume 14
Language
English
Description
Trace the history and technique of painting, beginning with the methodology of panel painting on wood; fresco painting, both wet and dry; and finally, oil painting and watercolor. Learn about types of oil paint, the mixing of colors, brushwork techniques, and the 19th-century phenomenon of plein air (outdoor) painting.
Author
Series
How to Look at and Understand Great Art volume 24
Language
English
Description
The Italian High Renaissance saw the full flowering of humanism and classicism. With reference to the era's thought and practice, delve into masterpieces by three of history's greatest geniuses: Raphael, Leonardo, and Michelangelo. Last, explore the composition of Raphael's School of Athens as it represents the sublime embodiment of High Renaissance ideals.
Author
Series
How to Look at and Understand Great Art volume 28
Language
English
Description
The early 19th century saw the emergence of two contrasting styles. Referencing the art of Napoleonic painter Jacques-Louis David, discover the tenets of Neoclassicism, specifically its ordered composition and emphasis on stoicism, morality, and rational control. In works by Eugène Delacroix, find the spirit of Romanticism and its concern with dramatic proportions, emotion, and spirituality.
Author
Series
Language
English
Description
Define symmetry and asymmetry in painting and sculpture, and the key effects on the viewer of each. Also, study scale and proportion of figures, and the distinction between "open" and "closed" composition, reflecting the artist's approach to visually framing the image.
Author
Series
Language
English
Description
Uncover the core principles of color in painting, including the distinctions of value and saturation and the relationship of colors as analogous or complementary. See how major works of art achieve their power and meaning through color, as seen in celebrated canvases by Seurat, Gauguin, and Van Gogh.
Author
Series
How to Look at and Understand Great Art volume 19
Language
English
Description
Across the centuries, self-portraits fascinatingly reveal the changing role of the artist. Follow this progression, from Renaissance painters subtly placing themselves within large compositions, to self-portraiture's emergence as a major form of self-revelation, noting many dramatic and colorful traditions within the form.
Author
Series
Language
English
Description
Explore how artists evoke motion and the passage of time, including implying motion through strong directional lines and time through narrative devices. Study approaches to implied motion in Impressionism, Abstract Expressionism, and Op art, and the use of actual motion in performance art and modern sculpture.
Author
Series
How to Look at and Understand Great Art volume 13
Language
English
Description
Sculpture, as a genre, encompasses the full spectrum of three-dimensional artworks. In this lecture, investigate the varieties and viewing contexts of relief and in-the-round sculptures - from monumental public works and religious and historical subjects to assemblage, collage, found objects, and large-scale "earth art" - noting the technical distinction between subtractive and additive works.
Author
Series
How to Look at and Understand Great Art volume 30
Language
English
Description
The term "Postimpressionism" comprises a varied and highly innovative body of art. Here, learn how Postimpressionist painters such as Cézanne and Seurat were driven by what they perceived as a loss of form in Impressionist art. See also how Symbolists Gauguin and Munch used increasing abstraction to convey deeper psychological meanings.
Author
Series
How to Look at and Understand Great Art volume 10
Language
English
Description
In this first lecture on genre, define the various purposes of drawings, from "croquis" drawing to capture a pose or action, to successive sketches visualizing larger works, to finished drawings as a distinct art. Study the diverse media of drawing, focusing on master drawings in metalpoint, charcoal, ink, pastel, and pencil.
Author
Series
How to Look at and Understand Great Art volume 11
Language
English
Description
The medium of prints attracted great artists from Dürer and Rembrandt to Ensor and Picasso. Using studio demonstrations, study the expressive means and contrasting techniques of relief printmaking, including woodcut, wood engraving, and linocut, and intaglio printmaking, including metal engraving, etching, mezzotint, and aquatint.
Author
Series
How to Look at and Understand Great Art volume 16
Language
English
Description
Focusing on masterworks by Van Eyck and Rubens, define three levels of iconography (subject matter). Also study the academic codifying and ranking of subject matter in art, probing subject and deeper meaning in a variety of religious and history paintings, still lifes, landscapes, portraits, and genre works.
Author
Series
How to Look at and Understand Great Art volume 21
Language
English
Description
This lecture integrates elements including color, line, shape, composition, light, symbolism, point of view, and focal point. Using the viewing tools you've developed, look deeply at four diverse masterpieces, including a sculpture by Thorvaldsen, a "vanitas" still life by Van Oosterwyck, a lithograph by Bonnard, and a painting by Van der Weyden.
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