The Doppelganger: Literature's Philosophy
(eBook)

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Published
Fordham University Press, 2010.
Format
eBook
ISBN
9780823233007
Status
Available Online

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Language
English

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APA Citation, 7th Edition (style guide)

Dimitris Vardoulakis., & Dimitris Vardoulakis|AUTHOR. (2010). The Doppelganger: Literature's Philosophy . Fordham University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Dimitris Vardoulakis and Dimitris Vardoulakis|AUTHOR. 2010. The Doppelganger: Literature's Philosophy. Fordham University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Dimitris Vardoulakis and Dimitris Vardoulakis|AUTHOR. The Doppelganger: Literature's Philosophy Fordham University Press, 2010.

MLA Citation, 9th Edition (style guide)

Dimitris Vardoulakis, and Dimitris Vardoulakis|AUTHOR. The Doppelganger: Literature's Philosophy Fordham University Press, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID83b74b43-f125-804a-6f01-d38720b505df-eng
Full titledoppelganger literatures philosophy
Authorvardoulakis dimitris
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-06-26 02:34:16AM

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First LoadedAug 30, 2023
Last UsedMay 17, 2024

Hoopla Extract Information

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    [synopsis] => The Doppelgänger or Double presents literature as the "double" of philosophy. There are historical reasons for this. The genesis of the Doppelgänger is literature's response to the philosophical focus on subjectivity. The Doppelgänger was coined by the German author Jean Paul in 1796 as a critique of Idealism's assertion of subjective autonomy, individuality and human agency. This critique prefigures post-War extrapolations of the subject as de-centered. From this perspective, the Doppelgänger has a "family resemblance" to current conceptualizations of subjectivity. It becomes the emblematic subject of modernity. This is the first significant study on the Doppelgänger's influence on philosophical thought. The Doppelgänger emerges as a hidden and unexplored element both in conceptions of subjectivity and in philosophy's relation to literature. Vardoulakis demonstrates this by employing the Doppelgänger to read literature philosophically and to read philosophy as literature. The Doppelgänger then appears instrumental in the self-conception of both literature and philosophy.
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